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我們注意到，南韓文觀部涵蓋的範圍最為全面，不僅 Notably, the cultural portfolio of South Korea's MCST appears most Preface
comprehensive, as it has all four key components covered. South 前 言
四個範圍皆包括在內，亦是唯一一個將版權納入其中
Korea is also the only economy that has incorporated copyright
的經濟體。南韓作為國際公認的 21 世紀文化強國，其
matters into their cultural ministry. With South Korea being CH. 1
出產的文化內容佔全球市場的 2.8%（UNCTD，
internationally-recognised and unanimously-hailed as a global cultural 第一章
2017），這有賴政府積極推動此領域發展（Holroyd，
powerhouse of the 21st century—accounting for 2.8% of the global
2019），因此我們認為南韓文觀部值得進一步分析。
cultural content market (UNCTD, 2017) and fuelled by highly CH. 2
proactive and substantial efforts from the administration to drive this 第二章
domain (Holroyd, 2019)— we believe this interesting finding makes
South Korea’s MCST worth our further deliberation and CH. 3
benchmarking. 第三章

Figure 5 南韓：文觀部與文化相關的業務組織 CH. 4
圖
South Korea: the structural set-up of MCST’s cultural portfolio 第四章

CH. 5
第五章
文化與藝術政策局 內容政策局
Culture and Arts Policy Bureau Content Policy Bureau

傳統文化與藝術界（例如：表演藝術、文化遺產、傳統 創意產業界（例如：電影、音樂、動畫、遊戲、時裝、
藝術形態） 文化科技）
Cultural & arts industry (e.g., performing arts, heritage, Creative & content industry (e.g., film, music, animation,
traditional cultural forms) games, fashion, cultural technology)

文觀部文化政策業務的組成
Components of MCST's cultural portfolio

媒體政策局 版權政策局
Media Policy Bureau Copyright Bureau

文化媒體界（例如：廣播、廣告、出版、新聞） 版權相關業務（例如：版權保護、數碼建設和網站營運）
Cultural media industry (e.g., broadcasting, advertising, Copyright-related matters (e.g., copyright protection, digital
publishing, press) infrastructure and portals)

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