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第 1A 節:新局的結構
Section 1A: New Bureau’s Structure
在結構方面,我們分析了各國文化決策局的管治 On structural make-up, our research began by analysing the
governing structures of cultural ministries around the world, looking
架構,並以南韓的文化體育觀光部(文觀部)、英國
more closely at South Korea’s Ministry of Culture, Sports and
的數碼文化傳媒及體育部、中國內地的文旅部,以
Tourism (MCST), the UK’s Department for Digital, Culture, Media &
及台灣的文化部作為重點研究對象。
Sport (DCMS), mainland China’s MCT, and Taiwan’s Ministry of
Culture (MOC).
綜合分析,並考慮到政府架構重組工作的迫切性,
我們認為新局需要將以下四個主要部分納入其管轄 Drawing from our analyses, and taking into consideration the
範疇,包括: timeliness of Hong Kong’s government reorganisation exercise, there
are four key components that we perceive to be essential to the new
1) 傳統文化與藝術(傳統內容): 包括與「受資助 bureau’s cultural portfolio. They are:
藝術」掛勾,或屬「純藝術」範疇的藝術形式,如
1) Traditional arts and culture (traditional content): This
視覺及表演藝術、博物館和文化遺產。這些藝術
includes visual and performing arts, museums or cultural
界別被泛稱為「文化」界,目前由民政局管理,
heritage that are commonly associated with “subsidised arts” or
亦是本次架構重組的重要部門。
“fine arts”. Often referred to as the “cultural” sector that is
2) 創意及內容產業(流行文化內容):包括被界定為 currently under the purview of HAB, a key bureau at stake amidst
「創意產業」的界別,例如電影、電視、設計和音 the government’s reorganisation exercise.
樂,這些行業以生產及銷售創意商品和服務為
2) Creative and content industries (popular content): This
主。目前香港對於創意產業的政策支援由商經局 includes sectors in what is referred to as the “creative industries”,
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負責執行。 such as film, television, design, and music. These industries are
commonly associated with the commercial production and
distribution of creative goods and services. Policy support for the
creative industries is currently administered by CEDB. 13
13 商經局負責支援廣告、建築、設計、數碼娛樂、電影、電視、音樂、以及印刷與出版等八個創意產業。
CEDB is responsible for supporting eight creative industries, including advertising, architecture, design, digital entertainment, film, television, music, and printing and publishing.
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