Page 110 - Arts Innovation Report_2022_May11
P. 110
香港的文化數據及「資料一線通」在智慧 Cultural data in Hong Kong and potentials for
城市藍圖 2.0 下的潛力 Data.Gov.HK under Smart City Blueprint 2.0
香港現時有多個主要的文化數據來源，第一個是「資 There are several major sources of cultural data in Hong Kong
currently, the first being Data.Gov.HK, an open-access, online data
料一線通」，為政府於 2015 年推出的網上一站式公開
platform that publishes public sector statistics and information,
資訊平台，出自本港首份智慧城市藍圖。「資料一線
launched in 2015 under the first Smart City Blueprint. Coordinated
通」由創科局下的資訊科技總監辦公室統籌，集合了
by the Office of the Government Chief Information Officer under
來自不同政府部門，如民政局和康文署等，及其他公
ITB, it gathers information from different government departments
私營機構的數據和資料。除了「資料一線通」，其他
such as HAB and LCSD, and public/private organisations. Apart from
機構同樣擁有他們獨立的數據調查，例如香港藝術發 Data.Gov.HK, other entities also compile their own datasets. For
展局的《香港藝術界年度調查報告》、政府統計處的 instance, Hong Kong Arts Development Council’s Hong Kong Annual
文化及創意產業年度專題報告、創意香港的創意產業 Arts Survey Report, Census and Statistics Department’s annual reports
相關課程的畢業生人數統計，以及其他私人企業如香 on the cultural and creative industries, CreateHK’s statistics on the
number of graduates of creative industries-related programmes, and
港票房有限公司的本地票房資料收集。
many private companies with their own findings, such as local box
我們的研究顯示，香港的文創產業一直缺乏全面的數 office statistics by Hong Kong Box Office Limited.
據統計及分析系統。首先，當下的數據採集零碎龐
Our research shows that Hong Kong’s CCI has long suffered from
雜，傳統文化界與創意產業的數據未能有效整合，不
the lack of a comprehensive data system. To begin, the current data
同部門對文創產業的定義和範圍不一，更未涉及跨部 collection system is scattered and disintegrated, data from the
門的數據分析。另外，大多公開的數據並非機讀格 cultural sector do not aggregate with data from the creative
式，難以作分析用途。同時，現時文創產業的資料都 industries, with no agreed definition and scope of the CCI. This also
是靜態的，還未意識到文化數據的多元化，其格式實 means no cross-sector analyses are taking place. Published data are
also scarcely in machine-readable format, which means only a small
際上可以包括文字、影音、線上或線下等。當中亦未
amount are actually available for data analysis. Information on the
將數碼文化資產包括在內，而有關新興內容或未來市
CCI is also static, which does not acknowledge the dynamic nature of
場的數據暫時還沒有被納入現有文化數據統計中。正
cultural data, which can be textual, audiovisual, online/offline, and
因如此，業界往往難以真正從現有的數據資料中受啟
more. Digital cultural assets are also not included. Data on future
發，分析觀眾行為喜好或發掘新機遇。這方面的缺陷
contents and emerging markets are yet to be included in existing
一直是文創產業發展的主要障礙之一。下圖 17 概括了 cultural statistics. Because of all this, industry often fails to gain
當下香港的文化數據狀況。 meaningful perspectives on audience behaviours or untapped
opportunities. The lack of a comprehensive cultural data system has
been a major hindrance to the CCI’s development. Figure 17 below
encapsulates Hong Kong’s current cultural data landscape.
108
