Page 68 - Arts Innovation Report_2022_May11

首先，圖 11 中以深藍色標示的為南韓的版權預算，而淺 To begin, it must be noted that the areas coloured in dark blue
above is South Korea’s budget for copyright, and the light grey
灰色則指香港所有與知識產權相關事務的預算。正如本
refers to Hong Kong’s budget for all IP-related matters. As
章稍前提到，南韓在架構上將版權作獨立處理，而香港
mentioned earlier in this chapter, it is because South Korea has
的知識產權署則負責所有知識產權事務，因此不會特別
structurally separated copyright from other IPs. With Hong
為版權單獨撥出預算。這種結構使我們在制訂策略時難
Kong’s IPD overseeing all IP matters, it is impossible to single
以用產業化的思維促進行業和原創內容發展。
out a budget only for copyright. Strategically speaking, this
structural disadvantage has prevented us from devising
以圖 11 作參考，南韓投放於版權的總預算已超過香港整
plans that promote industry-based thinking and IP
個知識產權產業的預算。誠然，我們在版權的發展仍處
development.
於起步階段，而且資源有限。知識產權署的版權職能似
26 Referring to Figure 11 above, South Korea’s total budget for
乎亦只是 1）為版權特許機構進行再註冊 （根據知識產權
copyright alone is enough to surpass Hong Kong’s budget for
法定職能），以及 2）提高版權的公共意識（根據知識產權
the entire IP industry. Admittedly, our development of
保護）。
copyright is still at a rudimentary stage, with barely any
resources. It appears that the only copyright functions IPD
conducts are merely 1) the registration of copyright licensing
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bodies (under IP Statutory Functions), and 2) some public
education programmes to raise copyright awareness (under
Protection of IP).

26 目前合共有六間版權特許機構，包括：香港作曲家及作家協會有限公司、香港唱片業聯盟有限公司、Motion Picture Licensing Company (Hong Kong) Limited、香港音像版權有限公司、香港複印授權協會、
香港書刊版權授權協會有限公司。
There are six copyright licensing body registries, they are: Composers and Authors Society of Hong Kong Limited, Hong Kong Recording Industry Alliance Limited, Motion Picture Licensing Company (Hong Kong) Limited,
Phonographic Performance (South East Asia) Limited, The Hong Kong Copyright Licensing Association Limited, The Hong Kong Reprographic Rights Licensing Society Limited.
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