Page 21 - Arts Innovation Report_2022_May11

PREFACE
前 言

CH. 1
第一章

CH. 2
第二章

CH. 3
第三章

CH. 4
第四章

CH. 5
第五章

季豐軒畫廊策劃之《金墨無界――李華弌近作展》，大館F Hall 展廳 （2021）
Exhibition Infinities Between Ink and Gold―Recent Works of Li Huayi organised by Kwai Fung Hin Art Gallery at F Hall Tai Kwun (2021)

時至今日，香港依然把握這些優勢，例如體現在：低 Today, Hong Kong remains firmly grounded in these competitive
edges—further complemented by its low and simple tax regime with
稅率及簡單稅制，不設進出口稅、藝術品不加收增值
no customs duty, value-added taxes or estate duty on artworks, the
稅和遺產稅、言論自由、穩健的知識產權保護制度，
freedom of expression enjoyed by people including artists, a robust IP
以及能夠為收藏家提供完善的私人財富管理服務等
protection regime, and comprehensive private wealth management
（Lam，2021）。自然而然，香港於 2020 年躋身成為 services available to collectors (Lam, 2021). Naturally, in 2020 we
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全球第二大藝術品貿易中心，僅次於紐約。
became the second largest art trading centre in the world, after only
New York. 5

5 根據藝術市場分析公司ArtTactic的報告，2020年香港的全球藝術市場份額從2019年的17.5%上升到23.2%，首次超越倫敦。
According to a report from art market analysis firm, ArtTactic, Hong Kong’s global art market share rose from 17.5% in 2019 to 23.2% in 2020, overtaking London for the first time.
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