Page 53 - Arts Innovation Report_2022_May11

Preface
前 言

RECOMMENDATION 1.1.2 CH. 1
建議
第一章

CH. 2
經濟貿易辦事處： On ETOs: 第二章
考慮到香港的文化新定位，新局可考慮與經貿 Bearing Hong Kong’s new cultural positioning in mind, the
new bureau could consider working more closely with ETOs, CH. 3
辦建立更緊密的合作關係，甚至考慮將相關元
even considering moving relevant elements into it. ETOs are 第三章
素納入其中。經貿辦能夠促進文化交流甚至文
important and first port-of-calls in cultural exchange and
化外交，對新局來說相當重要。
diplomacy—functions that are vital to the new bureau. CH. 4
第四章

CH. 5
第五章

除了提出架構重組相關的建議之外，我們亦對文化架 Apart from recommendations dealing with reshuffling and
構的重新定位作出一些建議，以進一步加強新局的工 regrouping, we also propose some ideas on revamping and
repositioning that further fortify the new bureau’s cultural portfolio.
作。
Besides a central cultural ministry, South Korea and Taiwan have also
除了核心的文化決策局，南韓和台灣還相繼成立了振
subsequently established quasi-governmental agencies—KOCCA and
興院和台灣文化內容策進院（文策院），皆為支持創 the Taiwan Creative Content Agency (TAICCA) respectively, that
19
意產業和數碼內容的半官方組織， 充分發掘藝術科 19
champion the creative industries and digital content, and fully
技所帶來的可能性。下表列出它們的一些主要職責： embrace the possibilities of Arts Tech. Some of their key, selected
features are tabled below:

19 內容類型主要包括電影、音樂、動畫、卡通、遊戲、出版、廣播、時裝和文化科技。這些機構亦負責與這些內容相關的營銷和海外推廣等工作。
Types of content primarily include films, music, animation, cartoons, gaming, publishing, broadcasting, fashion, and cultural technolgies. The agencies are also responsible for functions such as marketing and overseas
promotion related to these contents.
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