Page 77 - Arts Innovation Report_2022_May11
P. 77
performance”, Zhang combined traditional Chinese art forms and Preface
regional heritage, such as Peking opera, Quanzhou shadow puppetry, 前 言
其實在所有的表演上， and khoomei (Mongolian throat singing), with modern technologies
我認為未來是要走 [ 的 ] 這條 like 3D holograms, robotic arms, and drones. The production CH. 1
路，就是一定要融匯科技。 embodies a form of cultural inheritance and preservation via 第一章
innovation. It harks back to traditions and embraces modern
As it happens, I believe the inventions, facilitating a dialogue between the past, present and CH. 2
way forward for us and for all future. 第二章
performance types, would be
to integrate technology. Since its premiere in Beijing in 2017, Apologue 2047 went on to tour CH. 3
nationally for three seasons up until 2020, each time revealing 第三章
張藝謀 Zhang Yimou
2018 different combinations of art forms and technologies. To a certain
degree, this demonstrates that the Mainland’s direction on artistic
CH. 4
creation is effective—in the way it manages to incentivise artists, 第四章
through innovative ways of adapting technology, to treat traditional
《對話 · 寓言 2047》自 2017 年在北京首映以來，直 and intangible art forms as valuable sources of inspiration. Artistic
CH. 5
至 2020 年共進行了三季全國巡演，每次都展示了不 creations like these demonstrate the possibility to leverage 第五章
同形式的藝術與技術結合。某程度上，這體現了內地 technology as a means to create new content from traditional
藝術創作政策的成果，透過鼓勵藝術家應用創新科 cultural forms and expressions.
技，將傳統、非物質的藝術形式視作內容創新的靈感
Further, the emphasis
來源。這種藝術創作展示了如何透過應用科技，從傳
placed on the integration of
統文化形式和表達方式中推動內容創新。 誰説 我們 不能 用當 下的
technology and artistic
cr eati on even helps 這些科技，包括這些藝術
此外，加強科技與藝術創作的融合有助跨越傳統文化
transcend the perceived 形式，讓過去的古老的
與創新之間的鴻溝。從張藝謀導演上述的作品可以看 division between traditional 靈魂，獲得一種昇華？
出，創新甚至可說是與傳統文化的發展密不可分。 culture and innovation.
From Zhang’s production Who says we cannot use
discussed above, innovation modern technologies in
is even seen as inseparable artistic practices to sublimate
to the development of the souls of ancient past?
traditional cultures. 裘繼戎 Qiu Jirong
2018
75
